discography | ||
•50s | ||
•60s | ||
•70s | ||
•80s+ | ||
song index | ||
cover art | ||
Blue Note years | ||
a buyer's guide | ||
watch | ||
links |
Got My Mojo Workin' |
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front cover | side a | 1 2 3 4 |
High Heel Sneakers* (I Can't Get No) Satisfaction* 1-2-3* Mustard Greens* |
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back cover | side b | 1 2 3 4 |
Got My Mojo Working** Johnny Come Lately** C Jam Blues** Hobson's Hop** |
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label a | recording dates studio label |
a 16/12/65 Verve |
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PERSONNEL |
organ |
Jimmy Smith |
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arr/cond |
Oliver Nelson |
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saxophone |
Jerome Richardson |
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flute |
Romeo Penque ** | ||||||||||||||||||||
trumpet |
Ernie Royal ** | ||||||||||||||||||||
guitar |
Kenny Burrell */** | ||||||||||||||||||||
bass |
Ron Carter * |
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drums |
Grady Tate */** | ||||||||||||||||||||
TECH | producer |
Creed Taylor | |||||||||||||||||||
engineer |
Rudy Van Gelder | ||||||||||||||||||||
dir.of eng. |
Val Valentin | ||||||||||||||||||||
REISSUES | label | year | cat no. | ||||||||||||||||||
Verve | 25/02/97 | 5338282 | as "Got My Mojo Workin'/Hoochie Cooche
Man" 1. Hi-Heel Sneakers 2. Satisfaction (I Can't Get No) 3. 1-2-3 4. Mustard Greens 5. Got My Mojo Workin' 6. Johnny Come Lately 7. C-Jam Blues 8. Hobson's Hop 9. I'm Your Hoochie Cooche Man 10. One Mint Julep 11. Ain't That Just Like A Woman 12. Boom Boom 13. Blues And The Abstract Truth 14. TNT 15. Satisfaction (I Can't Get No) |
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REVIEW | Another classic of the soul jazz genre is on this Jimmy Smith recording and, like many of them, it's the title track. It contains what could be the best Jimmy solo ever. All the key elements of his style are here and he never nailed them better. But there's more to the tune than that because, well, he sings! Really. What had been gently hinted at on his previous LP, Organ Grinder Swing, hits you from the start on this LP: Jimmy making noises with his mouth! My God! To begin with, Jimmy just grunts and frugs his way along with the most of first side (although he does manage the odd "can't get no satisfaction"). Upon flipping it over, a further shock ensues when he proceeds to sing all the verses and choruses of Got My Mojo Workin'. Critics, already nonplussed by his return to pop hits, were, as you'd expect, dismayed. Happily everyone else was thrilled. It was an extra arrow in Jimmy's already full quiver and served to make proceedings even more fun. For the record, Jimmy's voice is the gutsy and rough-edged holler of a blues shouter, which perfectly suits his music. | ||||||||||||||||||||
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